There’s a life before, and there’s a life after the EUROMicroFest 2013. I mean: being microtonal at home is nice and all, but going out to perform and lecture resulted in rewarding responses from the audience and interesting conversations with my colleagues.
One of them, composer Todd Harrop – who presented his research on the Bohlen-Pierce scale plus a survey of his compositions for BP-clarinets – summarized the weekend on his blog.
Performing again with Etienne was a thrill and a treat. And although we have both changed in so many ways, our musical instincts are still in tune with each other. He’s definitely the most microtonal drummer I’ve ever heard!
“I am really and happily moved by the performance you both did on Saturday. Because it is sophisticated yet unheroic and very lively in the sense of the unexpected.”
Martin Wolf (audience)
On sunday, I talked about how I got into microtonalism and my instruments. I spoke about my intuitiv approach to the fretless guitar and how I’m able to use it in conventional settings. Also, I showed the theoretical inspiration for my 41-tone guitar, the H-system by Aaron Hunt.