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	<title>Comments for &#039;vintage&#039; harp guitar &amp; &#039;modern&#039; fretless guitar</title>
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	<description>in the hands of Melle Weijters</description>
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		<title>Comment on Home by Habbo Beem</title>
		<link>http://melleweijters.com/#comment-204</link>
		<dc:creator><![CDATA[Habbo Beem]]></dc:creator>
		<pubDate>Thu, 03 May 2012 09:25:53 +0000</pubDate>
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		<description><![CDATA[You must be out of your mind playing a fretless 10-string...but you are really doing it, opening a brand new audible spectrum I&#039;ve never heared before!]]></description>
		<content:encoded><![CDATA[<p>You must be out of your mind playing a fretless 10-string&#8230;but you are really doing it, opening a brand new audible spectrum I&#8217;ve never heared before!</p>
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		<title>Comment on Father&#8217;s Day 2011 by Hann</title>
		<link>http://melleweijters.com/2011/06/21/fathers-day-2011/#comment-75</link>
		<dc:creator><![CDATA[Hann]]></dc:creator>
		<pubDate>Sat, 29 Oct 2011 19:32:53 +0000</pubDate>
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		<description><![CDATA[Every day is Father&#039;s day!]]></description>
		<content:encoded><![CDATA[<p>Every day is Father&#8217;s day!</p>
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		<title>Comment on me and my Microtonality by IoanC</title>
		<link>http://melleweijters.com/2011/02/15/me-and-my-microtonality/#comment-21</link>
		<dc:creator><![CDATA[IoanC]]></dc:creator>
		<pubDate>Fri, 01 Jul 2011 11:03:13 +0000</pubDate>
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		<description><![CDATA[Byzantine music is theorised in 72 equal temperament; it is purely vocal and monodic. 
It is the music of The Orthodox Christian Church and believed to be inspired directly by God.]]></description>
		<content:encoded><![CDATA[<p>Byzantine music is theorised in 72 equal temperament; it is purely vocal and monodic.<br />
It is the music of The Orthodox Christian Church and believed to be inspired directly by God.</p>
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		<title>Comment on 5/4 third by Mel</title>
		<link>http://melleweijters.com/2011/03/13/54-third/#comment-7</link>
		<dc:creator><![CDATA[Mel]]></dc:creator>
		<pubDate>Tue, 15 Mar 2011 19:36:06 +0000</pubDate>
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		<description><![CDATA[Thanks, Eric. So cool that since I started studying JI I&#039;m able to analyse what I was up to years ago. I knew that it sounded good, now I know why. And with the knowledge of today, I would leave out the tempered second and use the just minor tone instead and keep the octave leap for granted!]]></description>
		<content:encoded><![CDATA[<p>Thanks, Eric. So cool that since I started studying JI I&#8217;m able to analyse what I was up to years ago. I knew that it sounded good, now I know why. And with the knowledge of today, I would leave out the tempered second and use the just minor tone instead and keep the octave leap for granted!</p>
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		<title>Comment on 5/4 third by ericjacksonarts</title>
		<link>http://melleweijters.com/2011/03/13/54-third/#comment-6</link>
		<dc:creator><![CDATA[ericjacksonarts]]></dc:creator>
		<pubDate>Tue, 15 Mar 2011 03:12:01 +0000</pubDate>
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		<description><![CDATA[Absolutely beautiful! Nice to see someone using JI without having to convert solely to a fretless or Justly fretted guitar. Much can be done with conventional guitars with Just Intonation via tuning, sliding, bending, and harmonics, and it really should be the first place people start to explore it. Wonderful post!]]></description>
		<content:encoded><![CDATA[<p>Absolutely beautiful! Nice to see someone using JI without having to convert solely to a fretless or Justly fretted guitar. Much can be done with conventional guitars with Just Intonation via tuning, sliding, bending, and harmonics, and it really should be the first place people start to explore it. Wonderful post!</p>
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