On January 3rd, the Huygens-Fokker Foundation participated in an event organised by Lost & Found. Next to my short introduction to the 31-tone Fokker-organ, there was the performance of the composition ‘Forma’, by Danny de Graan. Please visit this page to take a look at the other contributions as well as some beautiful photographs of this event!
Out of curiosity and as part of my study of the 31-tone equal temperament I created these renditions with a software instrument.
The enharmonic vocal compositions of Nicola Vicentino are historical curiosities, in which the sixteenth-century quest for expansion of tonal resources reached its limits. Although they inspired several other attempts at introducing the enharmonic genus into musical compositions, they are unique in their highly personal interpretation of this genus, and the consistency and boldness with which this interpretation is applied. This edition collects four pieces (three of them incomplete, unfortunately), which were included in Vicentino’s treatise L’antica musica ridotta alla moderna prattica (Rome 1555). One is on Latin text, three on Italian.
My first act as artistic collaborator at the Huygens-Fokker Foundation is the production of the upcoming concert, Laboratonium:
In our ‘Laboratonium’, young talented composers will put both the musical and technical possibilities of the Fokker-organ to the test. They search for new sounds in the rich palette of microtones and they combine it with the organ’s state-of-the-art computer technology if necessary.
Solo works for Ere Lievonen will be juxtaposed with pieces performed by laptops and there will be duets between them, too!
Besides the obligatory organizing on the productional side, there was also some real musical organizing to do. We were in contact with German electronic musician Felix Kubin who recently finished a player piano piece commissioned by Luis from Care in the Community-record label. What’s the similarity between a player piano and a microtonal organ? The organ has been equipped with computer technology which makes it possible to play from a MIDI-file: a digital piano roll! It was my job to prepare his piece (originally composed in 12-equal temperament) for the concert.
I am recently appointed ‘artistic collaborator’ at the Huygens-Fokker Foundation, centre for microtonal music in Amsterdam. I will be assisting at the concerts and other activities and I’m looking forward to collaborate on many great microtonal projects in the future. Thumbs up!